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iZotope Trash is the ultimate tool for selectively adding distortion to your tracks. Of course there are tons of guitar rig simulators, including rectified overdrive and a stunning array of 85 cabinet models. And you'll find just as much use for the subtler tone enhancements to your other tracks?tape saturation for vocals, overdrive for keyboards or a pinch of fuzz on a lead guitar, for example. Chain pairs of distortions together or apply distortion independently to individual frequency bands. Trash is compatible with most Mac and PC hosts, supports 192kHz and employs 64-bit for great fidelity regardless of how nasty you like your sound. Trash is the king of distortion?and at a price that smokes the competition.

Multi-Band Dual-Stage Distortion
▪ Overdrive: 12AX7 tubes. 6L6 tubes. Transistors. EL34 pentode tubes. Tape Saturation. All your old friends are here
▪ Distortion: Symmetrical clipping. Asymmetric limiting. Harmonic distortion. Sounds you know and sounds you've never heard before
▪ Fuzz: Can't get no satisfaction? A half dozen fuzz algorithms, from smooth germanium transistor fuzz to harsh silicon clipping fuzz boxes
▪ Retro: Classic lo-fi distortion effects. Bit decimators and aliasing algorithms that will take you back to the early 80s. Wave rectifiers that will take you back to Woodstock
▪ Faulty: Blown out transistors. Cold solder joints. Radio noise. Static. Sometimes you've got to go beyond what works and try something that's just plain broken

Dynamics
To control the distortion, you've got to control the levels. Trash provides a multi-band compressor and noise gate to squash the peaks, silence the noise or just draw out the sustain.

Good meters. Extreme ranges. Great sound. Bring out the body and kill the noise.

Box Modeling
Trash is a killer amp simulator with extremely realistic modeling of amp cabinets and speakers. Classics, combos, boutique models, stacks... a tone and character for any occasion. We went beyond the normal boxes you find in the music stores, though. Telephones. Clock Radios. Sheet Metal. Plexiglass tubes. Piano cabinets. Tin cans. And a whole bunch of cabinets that don't even exist in the material world. When it comes to amp modeling, Trash can be as real or unreal as you want.

Filters Galore
As any connoisseur of distortion knows, tone is everything. Trash gives you pre-filtering to drive the frequencies you want into distortion, and post-filtering to tame the ones you don't want. Shape the tone, make it wah, make it cry, make it scream.

▪ 36 Sweepable Filter Types. Analog, resonant, clean, saturated and more
▪ Synth Filters: Fat and juicy analog synth filters. Great on synths, and anything else
▪ Standard Analogs: Analog modeled classic EQ. Clean and warm
▪ Resonant and Saturated: Edgy filters with dynamic resonance control and saturation
▪ Talkbox Filters: Sweepable filters with talkbox harmonic control. Make it yell.

Position filters on a real-time spectrum to set gain, resonance or bandwidth. Turn them into sweeping LFO filters. Sweep frequency, resonance, gain?anything you can position you can sweep. Searching for that classic wah sound? Use envelope triggering to drive a low-pass filter to a higher ground. Searching for anything but that classic wah sound? Let your envelopes trigger the resonance of a filter. Have peaks sweep filters to lower frequencies. Anything you can touch you can trigger?in any direction.

Modeled Delay
Trash the echo with a selection of classic lo-fi delay flavors. Tape delay with saturation and nonlinear tape machine artifacts. Tape-Tube delay with added tube saturation modeling. Classic analog delay with analog degradation and variation. Lo-fi digital delay with quantization noise and aliasing. It's all here and much more.

Standard iZotope Features
iZotope does things a little differently. Little things that process audio with higher quality sound. Little things that help you use effects more efficiently. Little things that make effects fun to use. Little things that make a difference.

iZotope Trash features
▪ History and Undo. Experiment. Undo. Go back
▪ Preset Manager. Sort by name or last used. Add comments to presets. Take part of one preset and assign it to another preset. Update a preset with a single click
▪ Meters. Spectrums, third octave, critical bands. Dynamics histograms. Peak or RMS level meters
▪ Extensive shortcut key and wheel mouse support
▪ Options that let you customize functionality, UI, CPU usage and more
▪ 64-bit internal processing
▪ up to 192kHz sampling rate
▪ all-purpose distortion plug-in, from subtle to extreme
▪ realistic guitar rig simulator
▪ multi-band, dual-stage distortion with 48 algorithms
▪ 85 speaker cabinet models from vintage to experimental
▪ 3 microphone models
▪ 36 sweepable filter types?analog, resonant, clean, saturated
▪ multi-band compression and gating
▪ analog modeling for added warmth
▪ extensive delay modeling?analog, lo-fi, tape-style
▪ elegant user interface
▪ automation support
▪ superior stability
▪ CPU-efficient
▪ comprehensive preset library
▪ excellent documentation

Compatibility
▪ Live 4
▪ Cubase SX 1.0.6 and later (PC/Mac)
▪ Nuendo 1.61 and later
▪ Logic 6.4.1 and later
▪ ACID 4.0 and later
▪ SONAR 1.0 and Later
▪ Pro Tools (RTAS/AudioSuite/HTDM)
▪ other hosts supporting Audio Unit, DirectX, or VST
▪ M-Audio interfaces

minimum system requirements (PC)
▪ 450 MHz processor
▪ Windows 98SE, Me, 2000, XP
▪ DirectX 8

minimum system requirements (Mac)

▪ G4
▪ OS X 10.2